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	<title>Chick Lit Plus &#187; Author News</title>
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		<title>Guest Post by Deborah Coonts: Vegas Wild</title>
		<link>http://chicklitplus.com/guest-post-deborah-coonts-vegas-wild/</link>
		<comments>http://chicklitplus.com/guest-post-deborah-coonts-vegas-wild/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 03:48:40 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
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		<category><![CDATA[chick lit books]]></category>
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		<category><![CDATA[deborah coonts]]></category>
		<category><![CDATA[lucky stiff]]></category>
		<category><![CDATA[wanna get lucky]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=7018</guid>
		<description><![CDATA[Vegas Wild
By Deborah Coonts,
Author of Lucky Stiff
The words "Las Vegas" conjure thoughts of wild exploits, sexual highjinks, hangovers, and the scantily clad. Not too far from the truth, actually. I've lived here over twelve years, give or take, and this city gets under your skin. You just do stuff here you wouldn't even think about anywhere else. And I've done my share.
Take male stripping. Who knew it was a contact sport? I'm not talking Chippendales or Thunder Down Under -- great shows, but a bit tame, all things considered. True male stripping involves young men parading around in nothing but muscles with tiny sacks over their bananas. I think they smile too, but frankly, I don't remember. I must not have been looking at their smiles, but I'm not admitting to anything. Anyway, the strippers paw the patrons, rubbing up against them in very provocative ways. I remember sitting across from a girlfriend of mine as one guy straddled her and ground his member into her lush chest. All I could see were his clenching butt muscles until my friend leaned around him, raised her glass, and gave me a shit-eating grin. It ruined me -- I was done. Laughing does not make the strippers happy. Trust me on that one. Who knew that handsome young men in their near-all-together could be so sensitive?
Another fun evening out here in Vegas involves men and dancing, but of a different sort. You know how sometimes you just wanna dance? No fondling, no come-ons, no tired pick-up lines . . . just dance? The best place to do it in Vegas is Krave. They bill themselves as the Number One Gay Nightclub in the Country, and I would agree. Not that I have a great deal of experience, mind you, but boy is this place fun! The guys are great. They love to dance. And they are totally not interested in picking up women. A relief. Of course, if you're in Vegas to score a bit of action, this might not be the place for you . . . unless you are gay.
And now I here the owners of Krave are opening a bar in downtown Vegas, near Freemont Street, where all the servers are drag queens. Who could resist? I plan on being first in line!
Of course, if you're into beer and butt-whacking, the Hofbräveuhaus is for you. Yup, you can sing along to what I call oompah bands -- I'm sure that's not the technical term, but you get my drift (a bunch of guys with beer bellies in Lederhosen) and you can order a flagon of beer and get paddled by a pretty girl with a wooden paddle and a major-league swing. Why anybody would want to do this is beyond me, but they do -- to the delight of the restaurant patrons. And the whole thing can be memorialized for posterity by a roving photographer. This is not something I've experienced personally -- I'm not one to pay for physical punishment and pain -- but I've seen it done.
Oh, a word to the wise: leave the cameras at home when you visit Sin City -- you'll thank me.
So, while we're on the subject of crazy-ass stuff I've seen but not participated in, let me tell you about the best party in town. Most folks think New Years is Vegas-Gone-Wild, but I beg to differ. Halloween is the night you want to be here to get your naughty on. There's this party -- The Fetish and Fantasy Ball -- and the costumes are . . . creative. Often they involve spray paint and pasties. Or maybe just Saran Wrap. Or a couple of triangles of fur and string. But is it one heck of a party! The people-watching is the best part.
Did you know it is possible to eat a five star meal, served by tux-clad waiters . . . while suspended 180 feet above the ground. The views of the Strip are amazing -- as long as you're not acrophobic. It's the only meal in town to require a seat belt -- and it's a ton of fun. Champagne toasts, filet mignon, unobstructed views, both panoramic and straight down, where else could you have this experience? It's Vegas all the way.
Now, there's one other thing I'm working my courage up to do. There's this bar called the Double-Down -- billed as "The Happiest Place on Earth". They sell something called Ass Juice -- it comes with Puke Insurance. I understand it's a place you want to go when you're craving the down and dirty, punk-rock Vegas thing. Sounds too good to pass up. Anybody game?
© 2011 Deborah Coonts, author of Lucky Stiff
Author Bio
Deborah Coonts, author of Lucky Stiff, says her mother tells her she was born in Texas a very long time ago, though she's not totally sure -- her mother can't be trusted. But she was definitely raised in Texas on barbeque, Mexican food and beer. She currently resides in Las Vegas, where family and friends tell her she can't get into too much trouble. Silly people. Coonts has built her own business, practiced law, flown airplanes, written a humor column for a national magazine, and survived a teenager. She is the author of the Lucky O'Toole Las Vegas adventure series.
Her first book, Wanna Get Lucky?, was released in 2010.
For more information please visit http://www.deborahcoonts.com/, and follow the author on Facebook and Twitter

 
]]></description>
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		</item>
		<item>
		<title>You Are Invited!</title>
		<link>http://chicklitplus.com/invited/</link>
		<comments>http://chicklitplus.com/invited/#comments</comments>
		<pubDate>Tue, 01 Mar 2011 03:46:10 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
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		<category><![CDATA[emily and einstein]]></category>
		<category><![CDATA[linda francis lee]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=4727</guid>
		<description><![CDATA[ Thank you to Tricia Carr for alerting me to this party! Sorry the picture is a bit small, if I make it bigger it doesn&#8217;t fit on the page!  But you can find out more information about this fantastic e-vent here. I hope you can make it!


]]></description>
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		</item>
		<item>
		<title>Guest Post from Author Heather Wardell</title>
		<link>http://chicklitplus.com/guest-post-from-author-heather-wardell/</link>
		<comments>http://chicklitplus.com/guest-post-from-author-heather-wardell/#comments</comments>
		<pubDate>Thu, 04 Nov 2010 06:00:58 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
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		<category><![CDATA[chick lit aurhos]]></category>
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		<category><![CDATA[go small or go home]]></category>
		<category><![CDATA[heather wardell]]></category>
		<category><![CDATA[life love and a polar bear tattoo]]></category>
		<category><![CDATA[seven exes are eight too many]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=3931</guid>
		<description><![CDATA[I don't believe in writing absolute garbage just to have words on the page, but I also don't believe in editing while writing a first draft. I'll write, "Ian smelled great" in the first draft, and by the final draft it'll be, "I closed my eyes and breathed in Ian's scent of fabric softener and lumber. Only the wife of a carpenter would find the smell of wood sexy." The short version is fine for a first draft, and it avoids me sitting there staring at the screen or page trying to find the perfect words. The first draft isn't about perfect words. It's about words that do the job.

So how do you get from "Ian smelled great" to the more detailed lines? Here's how I do it.

<the picture "blueberry-edit.jpg" goes here - maybe as a thumbnail image that can be enlarged?>

This picture shows a page from one of my current projects, which I plan to release in early 2011. The main character, Mary, has just been turned down for her dream chef job and is now camping out on the restaurant's doorstep until the owner Kegan agrees to hire her. On this particular page, Mary goes to a nearby coffee shop and is then confronted by one of Kegan's staff members.

Note that I am working on a print-out, double-spaced and single-sided, of the manuscript. It might seem like a waste of paper, but take a look at how many notes I've added (and this is an average page, not one with unusually high changes). Trying to squish those into tiny margins would make the process impossible.

I use my own code to mark up the pages. There's a "No P" scrawled about halfway down, which means that I don't want a new paragraph there, and "New P" in the second last paragraph where I do want one. There are official proofreading markings out there, but I find them too hard to remember. These are just for me so I can use whatever I want.

Before going through the book scene-by-scene, I like to read the entire book top to bottom. I do my best not to fiddle with or peek at the manuscript between revisions, so this read brings it back to my mind and also lets me get an overview of what's really on the page instead of what I think I've written. It's amazing how different those two can be.

After that, I start with the first scene and read it sentence by sentence. At least, I try to. In practice I bounce around the page, making a correction in sentence five and then going back to change the change when I hit sentence eight. But I do give each sentence my full attention at least once.

I'm watching for emotions and physical sensations and people's movement in space. I'm making sure that I haven't over-complicated a situation. (In the first draft I had Mary carrying a cushion around so she didn't have to sit on the cold concrete in the rain. I removed it because it didn't add anything but an unnecessary prop.) 

I'm also analyzing how I've put the words together: if I repeat words or re-use a structure, I want to be sure I've done it intentionally. (I learned so much about this from Margie Lawson's "Deep EDITS" online course; while I don't use her actual editing technique I still refer to my notes for the rhetorical devices that can add such depth and interest to writing.)

Be especially vigilant in the early scenes. Finding a character's voice can take a while, and I for one tend to do the written equivalent of running around in circles yelling, "Hey, where are you?" at the beginning of a book, which results in a lot of unnecessary elements.

When I've finished a scene, I type it in right away. (Take another look at the notes above. If I left it until I'd finished the whole book, I'd have no idea what I was trying to do!) I don't type mindlessly, though. I read as I go and pay careful attention, and often change a word here or there as I enter the corrections.
 
After the typing, I re-read the scene, out loud if I can and in my head if I can't, to make sure it all flows, and then it's on to the next.

I won't bore you with the second draft of the entire page shown above, but I will give you the before-and-after versions of the last few paragraphs.

First draft:
"He's said it himself and it didn't make any difference."

She squatted down in front of me. "I've worked for Kegan since he opened Steel, longer than anyone else here. So listen up. What you're doing is pointless. If you think he's going to feel bad because you look so pathetic--"

"I don't think that."

Second draft:
I wouldn't have expected him to do such a thing. "He's said it himself and it didn't make any difference. Why does he think sending you would work better?"

She didn't bother answering. "I've worked for Kegan since he opened Steel, longer than anyone else here. So listen up. What you're doing is pointless. He'll never hire you. He said as much yesterday when we asked why you were out here."

My stomach twisted at this revelation. He really didn't plan to hire me if he'd told his staff. But she'd probably pass along whatever response I gave, so I made myself smile and say, "We'll see."

She rolled her eyes. "If you think he's going to feel bad because you look so pathetic--"

"I don't think that."

You can see that I did make additional changes as I typed in the corrections, adding a few short sentences and reorganizing some words. I view the typing stage as one more chance to make the book shine.

This book's edit took me about seven weeks (I work Monday-Friday) and I did about ten pages a day. It's tiring, and occasionally frustrating when the right word just won't come to mind, but it's important. This is a tough industry, and you don't want to send out your book with any rough edges that might bother agents and editors. If you choose to self-publish instead, you still need a thoroughly edited book written to the highest standard you can reach, because readers deserve that. Put in the time and you'll be amazed at how wonderful your book can be!




]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Guest Post by Author Karen White</title>
		<link>http://chicklitplus.com/guest-post-by-author-karen-white/</link>
		<comments>http://chicklitplus.com/guest-post-by-author-karen-white/#comments</comments>
		<pubDate>Tue, 02 Nov 2010 06:00:29 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
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		<category><![CDATA[falling home]]></category>
		<category><![CDATA[karen white]]></category>
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		<category><![CDATA[the invisible woman]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=3924</guid>
		<description><![CDATA[THE INVISIBLE WOMAN


	Not too long ago, I was driving in my convertible with the top down (and my little dog in his car seat in the back seat) and a large hawk appeared from out of nowhere, approaching at a ‘v’ trajectory until wham!—he hit the side passenger door.  I was stunned (as was my dog—although I believe he was a little relieved, too, that the hawk hadn’t made it inside the car).  Despite the damage to my car and the attempt on my dog’s life, the most upsetting thing about the whole incident was that I must have appeared invisible.  To a hawk.  Isn’t there an expression “eyes like a hawk”?? 
	I usually wouldn’t be so paranoid except for the fact that it keeps happening!  I recently made a drastic change to my hair color.  My hairdresser loved it, I loved it and when I got home…nothing.  My husband didn’t say anything.  My children didn’t say anything.  My dog remained silent, too, the traitor.  
And then it was everywhere—at four-way stops people would proceed through the intersection as if I wasn’t there.  Was it my imagination, or were people not responding to my emails as quickly as they used to?  And why did my husband wait until bedtime to let me know that I had a smear of toothpaste on my forehead—something I’d apparently had on my face all day, including the time spent sitting across from him at the dinner table?
So where am I going with this and how does it relate to my writing (besides giving me tons of material to work with for future novels)?  Basically, it’s justification for my answer to the question, “Do you ever bring your family with you on book tour or other book events?”  In a word, “no.”
In a few weeks, I will be speaking in front of about 650 readers in another city as part of my book tour for my November release, FALLING HOME.  I’m also booked to speak with lots of book clubs, do magazine, television and radio interviews, and appear at quite a few bookstores where I’ll meet and chat with readers who actually believe that I’m interesting enough to make them want to leave the comfort of their houses to come meet me!  In other words, I will be basking in being visible.
I guess I’m admitting to living a double life.  In one, I’m a mild-mannered housewife who carpools, drags recalcitrant children to hair and dental appointments, and does so much laundry I’m thinking of moving my desk into the laundry room.  In that life, the people I live with (husband, two children, dog) are vaguely aware that I have some kind of hobby that has something to do with books.  Their main concern is that they have clean underwear when they need it.
In my second life, I’m a sort-of celebrity who sometimes gets recognized in malls and cruise ships (yes, that’s happened twice), and whose books have appeared on the New York Times bestseller list.  I actually get paid to speak, and have even been known to have a captive audience of several hundred laugh at my jokes!  Booksellers are happy to meet me and invite me to their stores to come speak and sign my books and I get to stay in some really cool hotels with spas.  I’m never even expected to be within 300 feet of a laundry room!
So, really, why would I want to mix the two?  I actually enjoy being visible.  Meeting booksellers and readers is one of the best parts of my job, as is getting to dress up like a girl and wear heels and makeup.  I could do that all day—if only I didn’t have to actually spend time writing.    
To be honest, though, it’s also always good to come home; to sleep in familiar sheets, to pull on my favorite sweats, and curl up in my writing chair with my dog and favorite coffee mug.  Occasionally, my children and husband actually notice me and say something nice (usually as a precursor for a request for money or clean socks, but still) and they’ll even include me on fun family vacations!  
I have to admit that my two lives coexist happily in my head, and I can’t imagine my life without both.  One allows me to follow my dream of writing books, and the other allows me to share them with readers.  I love them both, and I hope I’m lucky enough to live this double life for a long time.  Or at least until my family finds a way to get dirty laundry to me when I’m on book tour.

]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Interview with Carla Neggers</title>
		<link>http://chicklitplus.com/interview-with-carla-neggers/</link>
		<comments>http://chicklitplus.com/interview-with-carla-neggers/#comments</comments>
		<pubDate>Tue, 26 Oct 2010 06:00:56 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
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		<guid isPermaLink="false">http://chicklitplus.com/?p=3869</guid>
		<description><![CDATA[Q: When did you decide to get serious about writing?

I've always been serious in the sense that I've always been dedicated to writing the best book I can -- even when I was eleven and climbed a tree with pad and pen! I entered college as a music major but graduated with a degree in journalism. After college, I freelanced and kept writing fiction. I finished a manuscript and finally got up the courage to submit a query letter to a New York literary agent. That was a big step! She took me on, and now here I am.

Q: You have over fifty novels published! Where does the inspiration for your stories keep coming from?

I've asked myself this, too, and I think coming up with new stories is a natural, intuitive process for me. I don't have to hunt up ideas so that I can write. I write because I have ideas! For example, I was on vacation in Ireland a few years ago. No writing! But we visited a stone ruin and an ancient stone circle...and next thing I knew, I had a stories and characters percolating that eventually became THE ANGEL, THE MIST and THE WHISPER.

Q: Can you describe your latest novel, Cold Dawn, in twenty words or less?

Okay, let me give this a shot: A search-and-rescue expert and a smokejumper go after a deadly serial arsonist who strikes the small Vermont town of Black Falls. How's that?

Q: Do you have a certain writing schedule you stick to?

Yes and no. I write most days and work hard, but I'm not regimented. I don't write X number of pages a day or work X number of hours. What I get done and how long it takes depends on where I am in the book. At the beginning of a book, I tend to work more in fits and starts. I need little breaks for the story to meander and then settle. Toward the end of a book, I'll write for longer periods at a stretch. 

Q: What are you currently reading?

I just re-read the last 100 pages of MJ Rose's THE HYPNOTIST. Fascinating book! 

Q: What are your thoughts on the rise of technology for the writing industry- e-readers and self-publishing?

It'll be what it'll be. I love to write and I love to read, and that's not going to change. 

Q:  When writing, do you often start from Chapter 1, or do you work backwards, or start somewhere in the middle?

Chapter 1, but I'll jot down scenes or snippets of scenes that occur to me as I write. Sometimes I'll start in on Chapter 1 with no synopsis, just to get a feel for the story; other times I'll have a brief synopsis before I start.  

Q: Are you currently working on a project?

Yes, I am. I'm deep into my latest work-in-progress. It's a brand-new world, and I can't wait to tell you more about it!

Q: You have been to some amazing locations around the world. Where is your favorite place to vacation?

My husband and I adore the southwest Irish coast. We stay in the pretty village of Kenmare and wander the hills of the Iveragh and Beara peninsulas. Stunning scenery, great food, wonderful people. Just love it there!

Q: What is your advice for aspiring writers?

Write what you're driven and love to write, but don't postpone happiness until you achieve a certain goal. Be happy now! It's too easy to say to yourself, "I'll be happy when I finish a book." Then it'll be, "I'll be happy when I've sold a book." Then..."I'll be happy when I make the bestseller lists." Then...see how it works? It's corrosive. Focus on writing the best book you can and living your life. Easier said than done some days, but,, FWIW, that's my advice. 
]]></description>
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		<item>
		<title>10 Tips for Aspiring Authors by Chantel Simmons</title>
		<link>http://chicklitplus.com/10-tips-for-aspiring-authors-by-chantel-simmons/</link>
		<comments>http://chicklitplus.com/10-tips-for-aspiring-authors-by-chantel-simmons/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 02:20:53 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
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		<guid isPermaLink="false">http://chicklitplus.com/?p=3569</guid>
		<description><![CDATA[10 Tips for Aspiring Authors 
1.	Only you can write your book. Writing is a job, and you’re not going to make a living at being a writer unless you treat it like a job. You could watch TV, go to a movie, or go for manicures with your best friend. There’s always going to be something else you could do instead of writing, and while all those other activities are fun, no one’s going to write your book for you while you’re doing them. So while you’re trying to write your book, try to actually sit down and write. 
2.	Set goals. Set a deadline to finish writing the book, then set mini-goals, such as “Finish Chapter 5 by the end of the month” or “Write 1,000 words a week.” Then comes the fun part: make a list of rewards and whenever you meet a goal, reward yourself. Go to a movie with a friend or get a manicure. You’ll enjoy it that much more knowing you worked hard for it. And you won’t feel guilty that you should be home writing for those few hours.  
3.	Practice, practice, practice. It takes 10,000 hours to become good at anything, so if you want to write a good book, then get writing. It takes 30 days to make a habit, so try to write every day, even if it’s only for 10 minutes or 10 words. Eventually, it’ll become a habit and those 10 words will turn into 10 pages. And when you miss a day of writing, you’ll feel so guilty you’ll ensure you don’t miss the next day. 
4.	Don’t believe in writer’s block. If you’re stuck on a scene, skip it and write the next scene. Chances are, if you aren’t excited to write a scene, it probably won’t be a very good one to read, either, so just move on. If you feel certain there are plot points you needed to get across in that troublesome scene, jot them on a Post-it and stick it to your computer scene. You’ll find another place to work them into the story. 
5.	Schedule in your writing time. Then stick to it. You wouldn’t miss a doctor’s appointment to make cookies or do the laundry, so don’t skip an hour of writing to do it either.
6.	Don’t quit your day job. If you sell the proposal for your book for a million dollars, well, then, sure, ignore my advice and quit your day job. But if you’re working on your first novel and you don’t have an agent, let alone a publisher, keep your day job—or at least do something else that gives your day some structure and brings in some money. Being unemployed and poor can be stressful. And stress isn’t usually one of the key qualities that inspire you to write a good novel.
7.	Believe in yourself. No one is going to care as much about your book or your career as a writer as you do. You have to be your own biggest cheerleader. Of course, make sure that all your rah-rah cheering is warranted. Keep trying to get your book published for as long as you believe that it’s the best book you can possibly write. When you stop believing your book is your absolute best work ever, move on. Revise it or start writing a new book. Lots of successful, published writers have unpublished manuscripts sitting in drawers. You won’t be alone so don’t worry about it. 
8.	Have a plan. I like to plot out each chapter before I start writing. It’s just a few points, but this way, if I don’t feel like writing Chapter 2, I can skip ahead to Chapter 6. If that’s too planned out, try jotting down your opening chapter, your source of conflict, the climax and the closing sentence. If you know those key elements, you’re going to be a lot better off than if you just sit down and write random scenes and then hope they all fit together in the end. There’s a very good chance you’ll end up scrapping half your work. (Of course, there’s nothing wrong with just letting the words flow—it all works toward the 10,000 hours—it just means it will take a lot longer to finish that first book).
9.	Ask friends to read your book. Four eyes are better than two. Twenty opinions are better than none. You don’t have to incorporate everybody’s suggestions, but you never know when someone might make a suggestion that you think is a good one—and that will you’re your book that much stronger. And if 10 people have the same negative criticism about a plot point or a character, chances are an editor, an agent or readers might think the same thing. Isn’t it better to get that opinion free when you can still fix the problem than in a rejection letter or in a published book review?
10.	Never give up. If every agent ignores you, follow up. If they all reject your book, compile a new list of agents and send the book out again. If every editor passes on your book, revise it and send to new editors.  All you need is one person to say yes, so don’t get discouraged about the ones who don’t. Success is 99% hard work and 1% luck. If this is your dream, it’ll be that much sweeter if you have to work hard to realize it.

Chantel Simmons is the bestselling author of two novels – Stuck in Downward Dog and Love Struck. Read Chantel’s blog at www.chantelsimmons.com or tweet with her on twitter.com@chantelsimmons

]]></description>
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		<title>Guest Post from Author Fleur McDonald</title>
		<link>http://chicklitplus.com/guest-post-from-author-fleur/</link>
		<comments>http://chicklitplus.com/guest-post-from-author-fleur/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 01:23:55 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
		<category><![CDATA[For Writers]]></category>
		<category><![CDATA[Updates]]></category>
		<category><![CDATA[blue skies]]></category>
		<category><![CDATA[chick lit books]]></category>
		<category><![CDATA[chick lit review]]></category>
		<category><![CDATA[fleur mcdonald]]></category>
		<category><![CDATA[red dust]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=3172</guid>
		<description><![CDATA[How were  you able to get published?
About five years ago, I decided I wanted to write a book that I would like to read. Without too much thought, I decided on the topic of stock stealing. I still don’t know why I thought of it, particularly at a time when I was completely sleep deprived with two littlies, but I thought I could develop intrigue and mystery around this subject.
I set about writing. Once I had written five chapters, I asked a friend to read it to see if it was any good. I also sent it to my writing mentor for his opinion. The responses were brilliant and overwhelmed me. I decided I needed to keep writing.
Patience has never been my strong point! When I had written about a third of the story, I thought I’d try Allen and Unwin publisher’s ‘Friday Pitch’. This offers first-time authors a chance to have their first chapter and a synopsis read and considered by its publisher Louise Thurtell. I wanted to know what she thought about it—never mind finishing the manuscript!
Her response was just as encouraging as others I had received, although it wasn’t what she was looking for at that time and she encouraged me to try another publisher. I didn’t want to now I had established contact with Louise. So I waited about a year, tweaked it a bit more, and resent it—but I did little work on finishing the manuscript.
Suddenly, not only was there was a phone call saying ‘Yes! We want your manuscript!’, there was a contract and … an unfinished manuscript!
I got to work quick smart and finished the rest of the story in about six-months.
My journey to get to this point has been amazing. It blows me away whenever I think about it. I don’t have any writing qualifications or experience in writing for publishers. I just wrote the book I wanted to read. From that, I was picked up from the ‘slush pile’, handed a contract, now have two books published with another two book deal  and have also sold the rights for both Red Dust and Blue Skies to Germany. (Red Dust has already been released there with Blue Skies due out next year.)
 
Has anything in general surprised you since becoming an author?
 
Hm, not sure. I didn't really know enough about the industry when I first started, to be surprised by anything. I just went with the flow and did what ever I was told to do!
 
I guess the response to my books has been surprising and very overwhelming. Red Dust flew off the shelves as did Blue Skies, but that may be more because there is a hunger for Australian stories than anything else. 
 
I also love the way that Allen and Unwin are as passionate about my books as I am - I'm not sure if I'm surprised by that or just grateful!

How many times were you rejected before finding your agent?
 
I haven't actually ever been rejected by an agent, when I was submitting my fiction novels. I got my first two books published without an agent, but Gaby Naher, from the Naher Agency is now my wonderful, patient and calming agent and negotiated my two book deal.
 
I was rejected by plenty when I was pitching my children picture books.
 
One thing I will  point out here - it's harder to get an agent once you are published. Most people think it wouldn't be the case, but it is. My publisher introduced me to both Curtis and Brown and Gaby Naher. Curtis and Brown wouldn't take me on, because they had a similar client and because I had already negotiated two books. Just something to be aware of.
 
 
How long does it take you to finish writing a novel?
 
About a year - I diddle around for the first part - don't do much, just think a lot, write lots of notes and then when I realise I've only got about six months before it's due, get really stuck in and write. I usually have enough ideas and thoughts to be able to do that.
 
 
What gave you the drive and motivation to write a book and push to get it published?
 
Well, I never really started out with the thought that I would try and get published. I started to write a book that I would like to read and then, it was one of my friends who thought I should try.
 
I started researching the industry and submitted for the ASA Mentorship program, but didn't get anywhere there. I don't like failing so that was probably my turning point! 
]]></description>
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		<title>Interview with Adele Parks</title>
		<link>http://chicklitplus.com/interview-with-adele-parks/</link>
		<comments>http://chicklitplus.com/interview-with-adele-parks/#comments</comments>
		<pubDate>Thu, 08 Jul 2010 23:36:43 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
		<category><![CDATA[Updates]]></category>
		<category><![CDATA[adele parks]]></category>
		<category><![CDATA[chick lit authors]]></category>
		<category><![CDATA[chick lit books]]></category>
		<category><![CDATA[interview with adele parks]]></category>
		<category><![CDATA[men i've loved before]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=3118</guid>
		<description><![CDATA[Q: How did you choose a career in writing?
A: I’ve wanted this for as long as I can remember but for years I thought it was an unrealistic ambition. I just didn’t know how to go about it or whether I was producing anything any one would ever want to read! But you don’t know what you can do until you try, which is an obvious thing to say but still worth saying. Whatever your ambition is, give it a go (providing it is legal!).

Q: Where do you find the inspiration for your novels?
A: Life sparks my imagination but I never write biographies of individuals or try to reproduce people I know; my friends are saved that indignity. My characters are an amalgamation of a number of people I’ve met, watched or heard about plus a great big dose of ‘but what if…?’. The question ‘but what if...?’ is the one that kindles my imagination.

Q: You have many books in print. Is there one in particular that you really enjoyed writing or doing the research for?
A: I have ten novels in print. I’ve written ten novels in ten years which surprises me every time I think of it. I love all my babies but I can, hand on heart, say that my latest Men I’ve Loved Before is one of my favourites possibly my absolute favourite. There are some really meaty issues in there. It’s my sister’s favourite and she’s quite a tough judge!

Q: If you weren’t a writer, what do you think you would be doing for a career?
A: I might be a photographer. I love capturing who and what we are. People are infinitely splendid and stupid – that’s what’s so great about us. If not a photographer then maybe a Time Lord; I’m big into Dr Who

Q: How did you celebrate your first novel being published?
A: I got pregnant! 

Q: How do you spend any free time you can get?
A: With my family. I’m married with one son. We’re a tiny unit but we adore each other. I’m very lucky and before I know it my son will be a teenager and his hormones will declare war on me so I’m enjoying as much time with him now as I possibly can.

Q: What is one personal or professional goal you have yet to achieve?
A: There are lots of things I’ve yet to achieve. It would be lovely to see one of my books made into a film or TV series. I’m always drifting in and out of options but nothing has gone into production yet. I think it’s good to have a dream though… I’d also really love to learn to stand on my head or do a cartwheel. I was a chubby kid and didn’t shine at anything remotely athletic; I’m now going to yoga classes and dream of standing on my head.

Q: Are you currently working on a novel?
A: Yes, I’m always currently working on a novel. I’m just putting the finishing touches to 2011’s novel, which is about friendship.

Q: What would be your advice to writers?
A: 
1. Read. Novels, articles, newspapers  - anything you can get your hands on. If you are not familiar (in fact in love) with the written word, you’ll never be a decent writer.
2. Write. Seriously, it astonishes me how many people tell me they want to be a writer but then confess they never write anything more elaborate than a shopping list. Write everyday even if it’s only for 20 minutes. Discipline is key.
3. Develop a thick skin, you’ll almost certainly get a few knock backs along the way. Pick yourself up brush yourself down and start all over again. Talent will break through.
4. Consider going on a course/join an online support group. I did a degree in English Literature and Language, I’m not suggesting you have to do the same but a weekend creative writing course may help with understanding the tools of the trade such as structure, plot and characterisation. You’ll also meet other would be writers and they can offer support.
5. Listen. Be inspired by everything that is going on around you.


Q: I’ve read that you’ve done quite a bit of traveling. What was your favorite place to visit?
A: The next place. 

]]></description>
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		<title>Guest Post from Author Holly Christine</title>
		<link>http://chicklitplus.com/guest-post-from-author-holly-christine/</link>
		<comments>http://chicklitplus.com/guest-post-from-author-holly-christine/#comments</comments>
		<pubDate>Thu, 08 Jul 2010 00:09:12 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
		<category><![CDATA[For Writers]]></category>
		<category><![CDATA[Updates]]></category>
		<category><![CDATA[holly christine]]></category>
		<category><![CDATA[self-publishing]]></category>
		<category><![CDATA[tuesday tells it slant]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=3109</guid>
		<description><![CDATA[On Self-Publishing

For me, writing is like preparing a meal. After toiling for days or months, I want to be the person who serves the hot dish. I want to be the one who says, Be careful. It’s still hot. I want to be the one who watches with a kitchen towel thrown over her shoulder, arms crossed across her chest, bags under her eyes, smiling as my guests say, This is delicious. What spice is this? Words. 

Main Dish. Ingredients for writing Tuesday Tells it Slant: three weeks, 65,000 words, six to eight cups of coffee a day, four to five hours of sleep each night. 

After twenty-one days of repeating the above ingredients, I was spent. I saved my Word document a thousand times, compulsively, as I didn’t want to lose a single word. Then I slept. I slept for days. When I arose, my head was free enough to begin the editing process. Some authors outline before they begin to write. I tend to outline once I reach a certain point in the story: a kind of reverse outline, to attempt to protect against major plot holes. 

Soup and Salad. Ingredients for editing: a solid week of coffee, a few colorful pens, post it notes, two to three black ink cartridges, two reams of paper and the ability to look at your words without remembering the sweat behind them. I print my work, read over it with a colorful pen in hand to fix errors that can’t be seen on my laptop screen and return to the original document to correct the errors I caught. Once I do this, I print again, pouring over the second draft before finalizing the document. 

I wrote soup and salad because the above process is most efficient when repeated. May as well get two dishes out of it. 

Before I move on to dessert, I have to say that this is the point of the process when I realized I was going to self-publish. I had the desire to share my work with others immediately. I was proud and excited. I still believe that self-publishing doesn’t signify the end in the publishing world. Today, it opens doors. 

Dessert. Cover creation and description. This is tricky. A great chef doesn’t necessarily equate to a brilliant baker. A major force throughout Tuesday Tells it Slant was a diary. I decided to make a cover that mimicked a diary with a casual font and doodles. Make the cover relate to the book. Most readers do judge a book by its cover. 

This is also the part of the process where you will create the book’s description. Keep it simple, yet detailed enough to grab a reader’s attention. Don’t be afraid to give away too much. A reader doesn’t need to be surprised at every turn of the page. They need to know enough to hook them before they start reading. 

Setting the table with eBooks. Amazon’s Digital Text Platform allows authors to upload their work, cover, and description easily. After uploading, name your price. I priced my work at $0.99 to start. At this price, Amazon pays a royalty rate of 35%, though this figure is flipping to 70% for all eBooks priced at or above $2.99 in June. In as little as twenty-four hours, your work becomes available to Kindle owners for purchasing. As an independent author, you can also utilize Smashwords to make your work available in multiple eFormats (Sony Reader, Barnes and Noble Nook). The royalty rate for authors using Smashwords is 57%. These services are free for authors. There aren’t any set-up fees or gimmicks. They merely make your work available for download. 

Proper serving ware. Paperbacks. If you want to serve your readers traditionally, Amazon’s CreateSpace is the way to go. There are no set-up costs involved and the process is fairly simple to make your work available as a paperback on Amazon. Your books are printed as needed. When a reader purchases your book from Amazon, the book is then printed and shipped to that reader. Traditionally, an author would pay thousands of dollars to see their work in print. Using Amazon’s CreateSpace, a copy of your own 400-page book would cost about $4.00. Though CreateSpace offers certain (pricey) services to its authors, these services aren’t required to publish your work. 

Serving. Marketing, marketing, marketing. This part of the process comes easily for some. For others, it is the most difficult part of the course of self-publishing. Between press releases, reviews, social marketing and developing a readership, the road to success can be rocky, and it all depends upon the work that you put into it. For eBook sales, I recommend joining online forums dedicated to certain eReaders. The Kindle has multiple forums where authors are welcome to post their book and description. For paperback sales, consider giveaways, blog tours and obtaining reviews from reputable sources. If this seems overwhelming, you should consider hiring a publicist to help build an arsenal of marketing material. 

More writers are looking at self-publishing as a viable option to getting their work out there. Currently, fewer publishing houses seem willing to take on a work by an unknown, unproven author. According to Publishers Weekly, over 760,000 titles were self-published in 2009: nearly double the total from 2008. Traditional publishers printed less than 290,000 books in 2009. 

With the publishing industry gradually failing to keep up with the times, it seems as if the new game is self-publishing. This leaves more power in the hands of the author, instead of the hands of the publishing houses. 






]]></description>
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		<item>
		<title>Jennifer Weiner Coming to a City Near You!</title>
		<link>http://chicklitplus.com/jennifer-weiner-coming-to-a-city-near-you/</link>
		<comments>http://chicklitplus.com/jennifer-weiner-coming-to-a-city-near-you/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 01:48:10 +0000</pubDate>
		<dc:creator>Samantha</dc:creator>
				<category><![CDATA[Author News]]></category>
		<category><![CDATA[Updates]]></category>
		<category><![CDATA[fly away home]]></category>
		<category><![CDATA[jennifer weiner]]></category>
		<category><![CDATA[jennifer weiner book tour]]></category>

		<guid isPermaLink="false">http://chicklitplus.com/?p=2942</guid>
		<description><![CDATA[Jennifer Weiner is coming to a city near you! Weiner will be taking on a national book tour to promote the launch of her latest novel, Fly Away Home, which will be out July 13th. She will be appearing in the following cities:
-	NEW YORK - July 13th
-	PRINCETON - July 14th 
-	PHILADELPHIA - July 14th
-	WASHINGTON, DC - July 15th
-	ATLANTA - July 16th
-	FORT LAUDERDALE - July 17th 
-	MIAMI - July 19th
-	DALLAS - July 20th
-	BOSTON - July 21st
-	CHICAGO - July 25th and 26th
-	DENVER - July 27th 
-	SAN FRANCISCO - July 28th and 29th 
-	CAPE COD - August 12th


Click here to get more information on Jennifer’s tour!
]]></description>
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