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Book Excerpt: By Design by Jayne Denker

Here is an excerpt from BY DESIGN by Jayne Denker.

He pushed open the door and ushered her inside. Emmie, braced for an unpleasant shock along the lines of the kitchen and the bathrooms, gasped. Spread across almost the entire back expanse of the house, the massive bedroom was stunning, even in its present dilapidated state. The first thing that caught her eye was a fireplace, the bricks over the opening blackened, the mantel worn, but . . . a fireplace. In the bedroom. Emmie was ready to move in right then and there. Two walls were made up entirely of windows. The only place available for a bed was to the right of the door, opposite the south-facing windows, so the spot was graced with year-round sunlight. Built-in cupboards wrapped all the way around the spot for the bed, from the closet door on the far side to the bedroom door and all the way to the ceiling. They were worn and in need of refinishing, but their effect, of real wood paneling, was rich and dramatic.

Emmie took a few steps farther into the room and turned her face up to the thin winter sun, imagining how warm and bright it would be only a few months from now, with the strengthening sunlight making it feel like spring in the room, even as winter hung on for dear life outside.

“You like it?” Graham asked.

Emmie closed her eyes and nodded, smiling blissfully, thinking about what it would be like to wake up to the view of the backyard every morning, the sun shining down on the fruit trees that peppered the gentle swell of the acre behind the house . . . being served breakfast in bed by a lady’s maid . . . the master of the house (just for the sake of argument, that role could be played by Graham) beside her . . .

Emmie let herself get lost in her daydream for so long that, when she noticed the silence in the room, she jumped. She shook herself, opened her eyes, and looked over at Graham. He was staring at her. She blushed furiously. No wonder Wilma hardly ever let her out by herself. Graham must think she was a complete loony.

But he just smiled. “The room suits you.”

And then came a little . . . hitch. He was silent, Emmie was silent. His mouth clamped shut in a straight line as he looked at her, then glanced away uncomfortably. Emmie had no idea how it had happened, but something . . . extra . . . was there in the room with them. And it wasn’t the ghost of a lady’s maid.

“So—”

“Right.”

“—that’s pretty much it, unless you want to see the attic,” he said, swinging his arms a bit too jauntily, startling Emmie. Graham was usually so serenely contained that his sudden random, jerky movements were jarring.

“I can skip the attic for now,” she said. The house was completely quiet. Apparently the workers were taking a break. She wondered how long it had been since their sawing and sledgehammering had fallen silent—had they just stopped, or had she been so caught up in spending time with Graham that she hadn’t noticed the house had gone quiet ages ago?

As they descended to the first floor again, Graham said from behind her, “So . . . what’s the Emmie story?”

“The what?”

“The Emmie story. You know—”

At the bottom of the stairs, she turned to him and made a face. “You mean my Very Special Relationship with John?”

Graham laughed, which made her toes tingle. She loved his open, genuine smile. “Not necessarily. But I do wonder how you got there, sure.”

“Uh”—she breathed uneasily—“well, er, I was born here, grew up here.” She skipped over high school so she didn’t have to mention Juliet, and went on, “I got my degree at Westfall College, just up the road—”

“Oh, yeah,” Graham cut in, “I know the place. I’m from Ostey, originally. That’s near there.”

“Right! We used to do some serious drinking in—” Emmie winced. “I probably shouldn’t have told you that.”

He shrugged. “We’ve all got our vices.” Ain’t that the truth, Emmie thought. As he directed her back into the library, he asked, “What about family? Brothers? Sisters?”

“Nope, I’m an only,” she replied. “My dad lives here in town. My mom . . . passed last year.”

“I’m sorry to hear that.”

“That’s about it. Pretty average, really.”

“Oh, I think that’s the last word I’d use to describe—” Then something started pinging across the room. Graham said, “Excuse me a second,” and crossed to the window seat to pick up his phone.

Hey now. What was that? As he read his text message, Emmie, thoroughly discombobulated by his last comment, retreated to the opposite end of the room, pretending to study the cobwebbed crown molding and the empty, dusty shelves. She leaned on the wall; after that kind of comment, she needed some support to remain standing. A bulge of dried-out plaster gave under her weight.

“Sorry,” Graham said, putting his phone in his pocket and joining her on the other side of the room. “So. What do you think of the place?”

Hang on—care to finish that last thought? she wondered. But he’d apparently moved on, so she just said, “I think it’s great.”

“Now, Emmie Brewster, interior designer, there’s one thing I want to make clear,” he said, crossing his arms in front of him and rocking on his heels. “This is a very important project.”

“Of course,” Emmie said in her best career-mode voice, feeling a little defensive at his lecturing tone.

“What I mean is, it’s very important to me.”

“Okay . . .” So he wants to impress the new owners. Who doesn’t? “Er, who are the clients, by the way?”

He cocked an eyebrow and replied with the ghost of a smile, “Me.”

“What?”

“This is my house. I bought it.”

“Wow.” After a pause, she added, “Good thing I didn’t make any rude comments about the crazy guy who bought this tumble-down rattrap.”

“Good thing. And you know what this means, don’t you? Now you have to be nice to me.”

She smirked at him, realizing that they were both recalling Saturday night’s conversation in the shadowed back room of Juliet’s new shop. Then, in all seriousness, she said, “It’s a great place, Graham. Really.”

“It is, isn’t it? And . . . I want it to be done right. I want it to be perfect. Not that you won’t do your best—I know you will. But I just want to make sure you understand that I’m doing this for someone who’s very important to me.”

Emmie stiffened. She could fill in the blanks there. Juliet? When the house was ready, was she going to leave her husband and move in here with Graham? That would explain why her McMansion didn’t look lived in, wasn’t decorated: She wasn’t planning on staying all that long. So this was going to be Juliet’s perfect house, with Juliet’s breathtaking sunny bedroom, and even a lady’s maid if Juliet wished it.

But it didn’t matter. This was Emmie’s job. She would just have to forget that she was doing it for Juliet’s benefit. So she took a breath and looked at the handsome man before her—the man she had never had a chance with, because when they met he had already been dreaming of feathering this majestic nest for another woman. “Absolutely,” she said. “You can count on me. I will make this place . . . beautiful. Perfect.” For emphasis, she slapped her hand on the wall next to her.

And suddenly, with a muted whoosh, the entire expanse of plaster detached itself from the lath, and the room was filled with a cloud of blinding, choking plaster dust.

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Suzy Duffy’s Guest Post

So you want to be an author?

Wanting to write a book is a bit like wanting to be a Mom. It looks much more glamorous than it is, there’s lots of fun ways to make it happen and when you get there it’s not at all what you expected!

It’s easy to start writing a book, but believe me, it’s pretty tough to see through. You need to get your bum on that seat every day. Most writers I know think they’re at their best in the morning. Our minds are sharper and more creative. I do my other chores in the afternoon and then I edit at night when I’m not so productive but still able to work. Writing a book is a gargantuan undertaking. The first write, which is usually about one hundred, twenty thousand words is only the first write! Then you edit it again and again and again. Edit your story about twenty times, at this stage because on every re-read; you’ll find things that you missed the time before. Nothing annoys a reader more than finding an inconsistency in a story. It shatters the whole fictional world.

Now, let’s say you really have the story the way you want it. You’ve gone through it so many times; you almost know it by heart. Give yourself a pat on the back. That’s a big deal, a massive achievement. It also means it’s time to find an agent! Agents are great people, really they are – but they’re not magicians. We have to give them a product they can sell. They want you to be the next big thing just as much as you do. But they can’t force a publisher to bite. First off, check the website of the agents you like. Are they taking on new clients? How do they like to be approached – email or letter? Do as they wish. You don’t want to annoy them already! You have to sell yourself to the agent and (s)he has to believe in you before (s)he can go out and sell you into the market. It’ll probably take several attempts to get an agent you like, but hang in there, you’ll get one.

Next step is to find a publisher. There’s a huge amount of luck in finding the right publishing deal. You need to have the right type of book at the right time. Many writers fall at this hurdle. I’ve had my share of rejection letters. Every professional writer has. In the case of Wellesley Wives and the New England Trilogy, I resorted to making a deal with God! I promised that I’d give 10% of my royalties to a local charity if I got a book deal. Within a few weeks of agreeing to link up with www.fobh.org I signed a book deal with The Writers coffee Shop. Was it God? I think so.

So now, either through grit and determination, luck or God, you have a publisher. The first thing they’ll want you to do, is re-write the book according to their tastes. Remember all the editing you did at home? Well, you’re going to do that again under their in-house editorial team. You can’t be precious about your work. If they want to drop the main character and get the bad guy elevated to high standing, you ask how high. You need your publisher to love you. The manuscript will bounce back and forth between you and them maybe fifteen times. While they have it, it’s time to think about writing book two! It will take a year for your first book to actually be published and by then, both your agent and your publishing house will want to see final drafts of your second offering. This comes at just the same time as your marketing for book one heats up. You need to eat, sleep, and drink your (first) book at this stage. It’s a massive, all consuming project. Give up your social life, sleep, everything. If you don’t do the marketing, your little book will not get out and into the world.

Quite simply there are too many books being written at the moment. It’s a big job to get one up and out – just like a baby. But ask any new Mom would she do it all again, and the answer is almost always YES.

Herewith, I’ve outlined the enormous work load involved but believe me, nothing beats holding your book in your hands or getting an email from a fan. Go for it, write your story. Don’t let anything or anybody say you can’t because you can!

I look forward to reading your book.

Lots of love,

Suzy

XX

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Guest Post from Kristen Wolf

I’ve always envisioned THE WAY as taking place in multiple time periods. In fact, when I first started writing the book, I alternated the story of Anna/Jesus in ancient Palestine with a modern-day story involving a female archeologist.

By the time I was about halfway through, both stories began to take on such lives of their own that each really demanded their own time—their own book. So, rather than conjoining the stories, I divided them, with the intention of writing the more modern-day story as the second book in the trilogy. In that book, we would learn a lot more about the history and life-cycle of The Way and its supporters.

In the third book, I intend to bring the practice of The Way from the modern day and into the future. By doing so, I hope to offer an alternative vision not only of spirituality, but also of the future shape and nature of our world.

Really, the ideas behind the practice of The Way are eternal, in a sense, given that they reflect life itself. So to me it seems very natural, and exciting! to contemplate exploring how these philosophies might impact our world throughout time.

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