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Woodrose Mountain by RaeAnne Thayne

Woodrose Mountain by RaeAnne Thayne is a heartwarming story about redemption, forgiveness, and second chances. Once a thriving physical therapist in California, Evie Blanchard leaves her former life behind after an emotional year and finds herself in Hope’s Crossing, hoping to start a new, peaceful life. That seems unlikely once she finds out about the tragic accident that devastated the small town a few months prior to her move. Brodie (a single father) hears of her expertise and hopes that she can help rehabilitate his daughter Taryn, who was severely injured in the accident. At first, Taryn’s outlook for full recovery looks doubtful, but with help from Evie – and a few other surprising sources – things change. With a little encouragement, friendship, and love, Taryn may actually get the help that she needs to fully heal … but she isn’t the only one who needs a second chance.

I absolutely adored Woodrose Mountain. I loved the interactions between the characters and I think RaeAnne did an excellent job at making them feel authentic as they were going through their many trials and tribulations. This book is the perfect example of the strength of the human heart and the power of redemption. I loved seeing Taryn overcome so many obstacles to triumph at the end, as well as to see Evie finally give into her heart. Overall, I would give this book a 4.5/5.

On Tour: Favorable Conditions by Kathleen Kole

Kathleen will be on tour March 5-26 with her novel Favorable Conditions Can you imagine being forty-five, your last child has moved on to college…

Blog Tour Sign Up: Willow Pond by Carol Tibaldi

Carol will be on tour in May/June with her historical mystery novel Willow Pond. Print books will be available to US/Canada residents. Please leave your…

Guest Post by Carol Mason

The Writer’s Life: Upsides and Downsides

I get to work from home.
Upside: You can write all day in your PJ’s if you want to. Washing your hair need only happen twice a week. Showering isn’t really even essential: the only person who gets to see you is the person delivering your online shopping to the door. Gas to the office costs nothing. You never commit road rage in your quest to not be late. No one monitors how long you spend on the Internet. You can take a personal phone call. Or twenty. You can do nothing all day and lie about it – no one knows what you were going to be doing anyway, so how can they punish you for things they don’t know about that you haven’t done? You set your own deadlines. You have no one sabotaging them, no one stopping you from reaching them. The sky is therefore the limit to what you can achieve. Though, admittedly, your achievements usually fall far short of the sky. Because…
Downside: Sometimes being steps away from your bed, the fridge, and the cupboard where you keep your alcohol, is a curse rather than a blessing. Sometimes you are lonely and have no one to have a chuckle with or to sound off to. The cat and the dog don’t cut it. You discover their intellectual limitations pretty fast when you attempt to take a coffee break with them and engage them in a spot of plot problem-solving, and all they do is purr at you, or give you a pair of your own socks to play tug-of-war with. Then other times when you’re far from lonely and your writing is on a roll, people won’t leave you alone. They knock at your door, peek in your blinds, try to coax you with warm cookies. They know you are in there. When you try to ward them off by insisting that you keep proper office hours, they smile that smile that says that they think you are just trying to sound like a normal person – not a kept woman – which half of the neighborhood assumes you are anyway, because you walk your dog at random hours of the day.
Once in a while you get the urge to physically harm telemarketers. Sometimes that actually feels good.
You create entire fictionalized worlds in which you get to live for the time it takes to write a book.
Upside: It’s unbearably fun when you come up with a great book idea. When after very little thought, you already have a good sense of who your characters are, of their individual challenges, and even how things will end for them. You see the book soaring up the bestsellers lists; maybe even being made into a movie. You will write this book in half the time it has taken you to write the others. You are so excited to make it all happen that you don’t even bother mapping out the book. You just dive in and start writing in your toothpaste-stained sweatshirt, with a serious case of bed-head. At this point, you love your life. You think yourself incredibly lucky that someone is paying you to be a writer. Woo-hoo!
Downside: This lasts for about the first chapter. Then you realize that, knowing your beginning and knowing your end are just brackets that frame a big problem: you’ve got no plot. A plot is the life you give to your characters and the journey you take them on. But you can’t give your characters a life when you don’t really know them. And like people, characters in books are hard to get to know. Trying to force a plot is like trying to pull out your own tooth with a pair of pliers. Surely it’s best then to just let a plot closely mirror life? It just flows on from some place where it begins… But the story of your own real life has a slow unfolding every day. Sometimes not much happens. Sometimes you go nowhere. But if nothing much happens in your plot, and it’s going nowhere, then, alas, so is your career. Despite the theoretically fabulous process of writing a book, by the time you finally write the words The End, you realize you have never been more relieved by anything in your life – except when you wrote your other two books, and the memory of that is still so traumatic that you’ve never re-read them since they got published. But then an odd thing happens. A tiny part of you knows you will miss laboring over that book because when every time you read it, it makes you laugh and cry in all the right places – where you imagine your readers will laugh and cry too. To care so passionately about the lives and loves and heartbreaks of people who don’t even exist, yet can reduce you to such extremes of your emotions, feels like your own best measure of success. And then you realize that must make you slightly off your head. There surely has to be a less madcap way to earn a living.
The writer’s life is never boring.
Upside: That is certainly true.

Carol Mason is the best-selling author of The Love Market, Send Me A Lover and The Secrets of Married Women – all recently re-released as Amazon E books for $2.99. For the month of March, Carol will be donating 50% of the proceeds of her E book sales to breast cancer. See her website, www.carolmasonbooks.com for more details, or jump right onto Amazon and buy the books.

Guest Post by Kathleen Long

Thank you, Samantha, for inviting me to visit Chick Lit Plus today! I’m thrilled to be here.
I spent a lot of time thinking about what I’d like to say, and then I remembered a blog I wrote four years ago in which I said writing is about doing the legwork. Well, four years later, writing is still about doing the legwork, even though much has changed for me during that time.
I took a break from deadlines and promotion to watch my two-year-old grow into a beautiful, funny, and smart six-year-old. I shopped two new series proposals, neither of which sold. After thirteen contracted books, the rejections were tough to swallow, but did they stop me? No.
Writing is about doing the legwork, but it’s also about shifting tactics when you hit a wall. Writing is about coming up with Plan B when Plan A doesn’t work out. It’s about brainstorming Plan C when Plan B falls apart.
Writing is about never saying, “I quit.”
Writing is about believing your dream is worth chasing. It’s about dusting yourself off and trying again each time you face an obstacle in the road. Writing is about reading how-to books, favorite authors, and market news. Writing is about learning pacing, plotting, and story techniques. Writing is about writing—first drafts, second drafts, third drafts, and more. It’s about starting over time after time simply because you refuse to quit, and because the need to write is part of who you are.
Writing is about setting the alarm to wake up two hours before your family to steal time in front of your computer. It’s about staying up far too late—or early—because the story in your head won’t take no for an answer.
Writing is about setting free the words and characters and places in your mind that form so clearly and purely you couldn’t ignore them even if you wanted to. Writing is about creating worlds into which readers might escape for an hour or two or three.
Writing is about accepting that those same worlds won’t appeal to all readers. Some readers will love the story worlds you create. Some readers won’t.
Writing is about believing in your work enough to take the good with the bad. Writing is about moving forward.
What did I do after taking a career break and facing back-to-back rejections? I pulled out the book of my heart—a manuscript my agent liked but didn’t love—and dusted off the story. I watched friends and acquaintances dip their toes into the self-publishing pool, and I thought, “why not?”
I studied the market. I designed a cover. I networked. I planned. I edited and polished. I had my book professionally formatted. Then, when the book was ready, I published.
For me, self-publishing has been a career changer—utterly and completely. CHASING RAINBOWS became a Wall Street Journal and USA TODAY bestseller. I’m about to sign a new two-book women’s fiction contract, even as I make plans to self-publish a new suspense trilogy.
Did I get lucky? Heck, yes!! The self-publishing and e-reader revolution could not have come at a better time for me as an author, but what if I’d stopped after those rejections? What if I hadn’t believed in my story enough to show it to the world?
My parting thought for you all today? No matter whether your goal is New York or Indie publishing…or both, do the legwork.
Believe in yourself. Keep writing.
And never, never quit.

So Damn Lucky by Deborah Coonts

So Damn Lucky by Deborah Coonts is the third installment in the Lucky O’Toole series. I have read and reviewed both Wanna Get Lucky? and…

Chasing China by Kay Bratt

Kay Bratt is on tour with CLP Blog Tours and Chasing China Mia is a young college student who sets off on a journey to…

Blog Tour Sign Up: Finding Felicity by Monica Marlowe

Finding Felicity tells the story of Madeline O’Connor, whose life is turned upside down when she learns that her estranged sister is ill and so leaves Manhattan to care for her sister in Italy. Although she is consumed by work and her relationship with her sister is strained by a past betrayal, Madeline makes the journey to Europe and stays in a monastery that accommodates travelers. There, she meets Brother Anthony Lamberti, a man unlike any that she knows in New York. Anthony and Madeline share an overwhelming love and Madeline lets down her guard to the sincerity, dignity, and strength of Anthony. From him, she learns many spiritual and emotional lessons and undergoes a complete transformation. Along the way, she also meets Tyler Reed, who adds the excitement of a love triangle to the many twists and turns along Madeline’s journey to Finding Felicity.

Guest Post by RaeAnne Thayne

Punch up the Emotion! By RaeAnne Thayne Writing a book about an emotional topic without your prose becoming maudlin or overblown can definitely be a challenge – but if you’re able to pull it off, your readers will definitely connect to your characters and your story.
I just finished my 40th book and in the course of my career, I have written about many emotional issues – infertility, the loss of a child, the loss of a spouse. My current release, WOODROSE MOUNTAIN, focuses on a girl who was severely injured in a car accident a few months before the book opens. It’s about healing and hope, about leaning on others and also about some of the difficulties faced by both the victims of TBIs (traumatic brain injuries) and those who love them.
In this book – and all my others – I try to depict my characters facing their adversities with humor and grace, never losing sight of the emotional connection I want my readers to find with my characters. Here’s a quick checklist that might help improve the emotional punch in your writing:
WOW CHARACTERS: Are my characters compelling, vivid, larger-than-life people that my readers can easily relate to? Even if they’re aliens or shapeshifters or demons, do they possess emotional depth that resonates with my readers?
TRUE CONFLICT: Have I created a conflict between my H/H that cannot be resolved without flaying them open, digging deeply into their psyche and exploring their innermost fears and insecurities?
PROPER PACING: Have I paid careful attention to proper pacing, interspersing moments of raw emotion with levity or sweetness or quiet reflection?
DIALOGUE: Have I used dialogue appropriately to best convey my characters’ moods and emotions? Not just what they say but how they say it: Terse, hard words during moments of anger; softer, rounder sentences in times of reflection or quiet sharing?
POINT OF VIEW: Is the point-of-view character I’ve chosen in a given scene the appropriate one to best intensify the emotional arc?
SETTING: Have I truly utilized setting as effectively as possible to enhance the emotions my characters are experiencing? Weather, time of day, physical location: All can be used to reflect the emotional mood.
THE WRITING! Have I “layered in lusciousness” as the fabulous Barbara Samuel so eloquently puts it, by using all sensory tools at my disposal to accentuate my characters’ emotions through texture and scent and color?
LIVE THE EMOTION: Finally, have I been willing to dig as deeply as I can – in my characters’ psyches and in my own – to explore the wide range of feelings inside us all? If I tend to shy away from intense emotions in my life, am I willing to overcome that instinctive self-protective mechanism in order to allow my characters to experience reactions that might personally frighten me?
If you look at your own favorite books, I’m sure you’ll find the selections on your keeper shelf are those books where the emotional intensity of the characters really resonated with you, no matter what the genre.
What tips do you have for heightening the emotional connection your readers can make with your characters?